Violeta, the protagonist in the novel, is born at the time of the Spanish Flu in 1920 and dies during the Corona virus pandemic in 2020. Her final thought, “It is a strange symmetry that I was born in one pandemic and will die during another”.
Allende starts the book with the Spanish Flu which “brought first a terrible chill from beyond the grave, which nothing could quell, followed by fevered shivering, a pounding headache, a blazing fire behind the eyes and in the throat, and deliriums, with terrifying hallucinations of death lurking steps away. The person’s skin turned a purplish-blue color that soon darkened until the feet and hands were black; a cough impeded breathing as a bloody foam flooded the lungs, the victim moaned and writhed in agony, and the end arrived by asphyxiation. The most fortunate ones were dead in just a few hours”. The Chilean government responded to the crisis with “a stay-at-home order to curb the spread, but since no one heeded it, the president decreed a state of emergency, a nightly curfew, and a ban on free circulation of the civil population without due cause, under penalty of fine, arrest, and, in many cases, beatings. Schools were closed, as well as shops, parks, and other places where people typically congregated.”
Allende starts the book with the Spanish Flu which “brought first a terrible chill from beyond the grave, which nothing could quell, followed by fevered shivering, a pounding headache, a blazing fire behind the eyes and in the throat, and deliriums, with terrifying hallucinations of death lurking steps away. The person’s skin turned a purplish-blue color that soon darkened until the feet and hands were black; a cough impeded breathing as a bloody foam flooded the lungs, the victim moaned and writhed in agony, and the end arrived by asphyxiation. The most fortunate ones were dead in just a few hours”. The Chilean government responded to the crisis with “a stay-at-home order to curb the spread, but since no one heeded it, the president decreed a state of emergency, a nightly curfew, and a ban on free circulation of the civil population without due cause, under penalty of fine, arrest, and, in many cases, beatings. Schools were closed, as well as shops, parks, and other places where people typically congregated.”
In her one hundred years of life, Violeta witnesses extraordinary events and historic changes in the world, in her native country Chile and in her personal life. The Great Depression causes bankruptcy of her father’s business and he commits suicide. The family, evicted from their large mansion in the capital city Santiago, moves to Nahuel, the remote Patagonian part of the country in the south “a landscape of vast cold forests, snowy volcanoes, emerald lakes, and raging rivers”. Violeta comes of age surviving and working in the primitive and tough conditions of the rural life among the native Mapuche Indians. Shelearns to fish, trap rabbits, milk cows, saddle a horse, smoke cheeses, meats, fish, and hams in the circular mud hut where a pile of embers perpetually glowed. When she was fourteen, the local Mapuche Indian chief asks for her hand in marriage, either for himself or one of his sons. He offers his best horse as payment for the bride.
The major event which upends her life and leaves a scar in the country’s history is the violent overthrow of the socialist president Salvador Allende (her father's first cousin) by the military coup in 1973. Her son, a leftist militant student, escapes to Argentina and eventually gets asylum in Norway. Some of her relatives and friends are killed, tortured and jailed by the regime. Her second husband, a pilot with private aircraft, makes money by collaborating with the military regime and the CIA. Her daughter dies of drug addiction in the United States. Her grandson Camilo, a rebellious young man, decides to become a priest and devotes himself to the service of the poor.
Allende has narrated the story of Violeta as a series of letters to her grandson Camilo in which the hundred year- old grandmother wants to leave a testimony of her life. Allende had conceived her first novel “House of Spirits”(published in 1982) when she received news that her 100-year-old grandfather was dying. She began to write him a letter that ultimately became the manuscript of the novel. It was influenced by Gabriel Garcia Marquez’s novel “One hundred years of solitude”.
While her spirit is wild, she is rigorously disciplined in her writing work. She works ten hours a day and six days a week. She says, “I get up every morning around six. First I have a cup of coffee, then a shower and then I put on full makeup as if I was going out to the opera. I get dressed and put on high heels, and then I climb the stairs to the attic where I work. I won’t see anyone, not even the mailman, yet I dress up for myself.” She starts work on a new book every year on 8 January.
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